Monday, 1 March 2010

Newsbits: Scottish Alt. Awards, Aberdeen protest album, Haiti appeal and more...

handbags at dawnIf ducking a handshake constitutes a front page splash, then god knows where that puts our weekly round-up of press releases and music related titbits. At a guess, we’d say page four. You know, just behind that elegant snap of a scantily clad female who’s putting the world to rights in the shape of two mountainous mammary glands.

Anyway, as this is a website there’s no need to concern ourselves with trivial matters like page numbers or, sadly, topless models. Instead, you can rest assured that what you’re reading right now will probably stay at the top of the page for the next 24 hours without subjecting you to nudity of any form.

Trapped in Kansas scoop alternative gong
UtR favourites Trapped in Kansas scooped the ‘Best Rock/Alternative’ prize at last week’s Scottish Alternatve Music Awards (SAMA). The Glasgow based quartet fought off fierce competition from Make Sparks and This Familiar Smile to be crowned the most rocking alternative act in the land (or something). Other winners included As Darkness Falls (Best Newcomer), Promised Only Lies (Best Metal) and The LaFontaines (Best Live Act). Bronto Skylift bafflingly walked away with nada, but that’s that nature of open-vote awards for you.

SAMA organiser Richy Muirhead said: “The past seven months have been an amazing and great learning experience for myself. The music scene in Scotland is forever growing, and I hope everyone involved can now appreciate it more from this event. It's been a real blast, and I've already started brainstorming for next years festival.”

A heartfelt protest
Remember the (often abysmal) vehicle for social change that was the protest song? We don't, but that's mainly because we were born in a time when Thatcher’s Conservatives crushed the voice of opposition. But up in Aberdeen a collective of local musicians do. To voice their disdain towards the City Square Project – a planned £50m facelift of Aberdeen’s city centre which includes the uprooting of Union Terrace Gardens (UTG) – 20 Aberdeen acts have come together to produce the ‘We heart UTG’ record. Encompassing a spectrum of genres from modern bluegrass to funky house, the download-only record can be acquired on a ‘pay what you like’ basis, with all proceeds going to the UTG campaign. To get your mitts on it, click here.

Scots bands put out for Haiti
Four Scottish acts have donned their philanthropist capes and donated tracks to a Haiti benefit compilation. There Will Be Fireworks, Lions.Chase.Tigers, Farewell Singapore and Three Blind Wolves have forwarded cuts to New Jersey-based Dromedary Records for inclusion in the digitial-only release of Make The Load Lighter - Indie Rock for Haiti. All proceeds for the record will benefit the victims of the Haitian earthquake through an all-volunteer organisation called Vwa Ayiti (Voice Of Haiti). Label owner Al Crisafulli said of each band’s input: “It’s been great communicating with all four bands - this collection really has been a ton of fun, and it’s awesome to be able to do something quickly to raise money.” You can download the album here or, in a move which seems to be against the point of the record, you can listen to it here for free.

Selling out has never been so easy
Last week’s announcement of ‘the best T in the Park line up ever’ resulted in the festival selling out in less time than it takes Inverness Caley Thistle to put four goals past Raith Rovers (less of that please - ed). Unable to resist a roll call of Eminem, Muse, Jay-Z and The Black Eyed ‘why don’t they split’ Peas, Scottish punters snapped up 85,000 tickets in 90 minutes. We’d like to think this record breaking frenzy was in some way aided by the inclusion of Dirty Projectors and Broken Social Scene but, let’s face it, we’d just be deluding ourselves. For the latest line-up news all you need to do is click here.

Chewing the festival cud
In harder-than-it-looks news, chewing gum company Trident are seeking to exchange £30,000 for someone to visit 30 music festivals over 30 weeks. Taking in festivals around the globe, all you need to do is document the experience via Trident's festival website, through tweets, blogs, photos and videos, with reviews, gossip and celebrity interviews. Sounds easy, huh? Well, the challenge is actually getting the job, which will involve an online application, a face to face interview and, if you get that far, an all-day assessment in front of a panel that includes having to meet the insanely irritating George Lamb. See, told you it was tough. More info can be found here.

Twilights get a room
The Twilight Sad get back to the campaign trail for last year's still-growing-on-us album Forget the Night Ahead by releasing new single 'The Room'. Rife with the usual clash of miserabilism and voluptuous arrangement, the track offers the added bonus of My Latest Novel's Laura McFarlance guesting on violin. And for you for your aural/visual enjoyment, you can watch the fancy new video of said track below:



Got news for us? Let us know at utr.scotsman@gmail.com or tweet us @under_the_radar

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Friday, 22 January 2010

Radar recommends: 23 - 29 January

North Atlantic Oscillation
[North Atlantic Oscillation: limbering up for Limbo on Friday]

Plan your gig-going with our pick of the week's choicest live music nights...

The best...

John Knox Sex Club, Baby Boyz
Saturday @ The Ferry, Glasgow / 8pm / £6
Not your typical wide-eyed indie-pop band, The JKSC inflict moody, clanging blues riffs and deranged vocals on anyone who'll listen. Will you?

Burns Night Celebration: Broken Records, Woodenbox With A Firstful of Fivers, Whisky Kiss
Sunday @ King Tuts, Glasgow / 8.30pm / £12
More Scottish than a ginger man in a kilt shouting 'freedom', drinking whisky and killing a haggis with his bare hands. What a lovely patriotic way to celebrate the Bard.

Marble Valley
Tuesday @ Nice'n'Sleazys, Glasgow / 7.30pm / £TBC
In advance of their much-anticipated return, Pavement drummer Steve West shows his vocal worth.

The Foundling Wheel, Smack Van, Ian Ryan
Wednesday @ Electric Circus, Edinburgh / 8pm / £3
The Foundling Wheel is a solo project with a difference: a one-man, bass guitar-wielding, beat-programming, noise-fuelled rammy. And then some.

The Mill: The Seventeenth Century, There Will be Fireworks
Thursday @ Oran Mor / 7.30pm / Free but ticketed
Gilt-edged, mellifluous folk-rock from the highly rated Seventeenth Century. There Will Be Fireworks? Apparently a few folk rate them too.

The Low Anthem
Thursday @ The Old Fruitmarket / 9pm / £16
Lovely Celtic Connections ditty. Beautiful pop in a beautiful building. It’s gonna be special guys.

Limbo: North Atlantic Oscillation, Simon Doherty and Louise McVey & The Cracks In the Concrete
Friday @ The Voodoo Rooms, Edinburgh / £5 / 8pm
Limbo had a healthy effect on the Edinburgh scene over the past two years, so locals will be happy about its imminent return. The night may have gone from weekly Thursdays to monthly Fridays, but their band booking policy looks as infallible as ever.

Adam Green
Friday @ Stereo / 7pm / £10
Get your skinny jeans and white plimsoles on and boost your indie credentials with a trip to see the manly half of The Mouldy Peaches solo. Sweet.

The Lava Experiments
Friday @ The 13th Note, Glasgow / £5 / 8.30pm
To quote ourselves, The Lava Experiments make "gorgeously cinematic electronica, reminiscent in places of Kraftwerk or a heavier Explosions in the Sky". They launch a new EP of remixes at this gig, for which they enlisted the help of Dans Le Sac, Pumajaw and Betamax Warriors.

The rest...



Words: Aimi Gold, Nick Mitchell

What have we missed? Tell us below, or add it to the calendar by emailing utr.scotsman@gmail.com

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Tuesday, 29 December 2009

Nick Mitchell: My band of 2009

There Will Be FireworksOK, let's get the niggling doubts out of the way first.

Yes, There Will Be Fireworks alternate rather too diametrically between quiet and (very) loud in that tried and tested post-rock manner. Yes, anyone who runs at the mere mention of the word 'earnest' will balk at some of the gushy sentiment. And yes, there is a feeling that their ship may have sailed, with the success of aesthetically similar bands like Frightened Rabbit, My Latest Novel et al.

But... I don't subscribe to any of these caveats. In all honesty there have been perhaps a handful of new Scottish acts this year who really (and I mean REALLY) impressed me, and TWBF lead the pack.

I think it was their shameless, sky-high ambition that first landed its hooks on me. Without any commercial backing, to go away and record a debut album of such beauty and depth (the whole thing flows like a chilly Scottish burn) comes across like an affront to the usual way bands start out - tentative EP release, followed by another, then perhaps a long-player.

But a watertight test of music is its longevity, and the TWBF LP, along with the likes of Merriweather Post Pavillion, Veckatimest and Fever Ray, has maintained its position as one of the most-played new albums on my MP3 player this year. I can't think of a better barometer than that.

As well as making an excellent album in 2009, TWBF managed to wreck their tour van, appear on STV daytime, blow the roof off any venue they played (metaphorically), write a Christmas song and are rumoured to be well on their way to album number two. Band of the year at a canter.

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Tuesday, 8 December 2009

Under the Radar podcast #6

Podcast #6Christmas. It might be chilly outside but it's hardly the coolest time of the year is it? We over-indulge in party snacks, strange, once-yearly liqueurs (eggnog?!) and belt-busting meals, before battening down the hatches on our little cocoons of reliable family customs, TV drowse-athons and enough lighting effects to melt Greenland. In short, the carving knife is all that's cutting edge about Yule-tide.

So it pleases us at UtR to know that the young hipsters and hipstresses of the Scottish music scene are equally predictable at this time of the year. Don't believe us?

Well, Billy caught up with a quintet of his favourite music makers for some festive banter, and was treated along the way to a poorly executed version of The Waitresses' Christmas Wrapping, a shameless plug for Terry's Chocolate Orange and the earth-shatteringly weird coincidence that two separate musos both long for one of those tiny screwdriver sets in their Christmas cracker.

Panda Su, French Wives, Conquering Animal Sound, Dead Boy Robotics and Cancel the Astronauts... we're looking at you.

We also asked a few more of our favourite acts of 2009 to contribute either Christmas-themed - or just plain new - songs, and eagleowl, The Last Battle, There Will Be Fireworks and Tokyo Knife Attack duly obliged.

Again, the sound quality isn't perfect, but rest assured that top of our list for Santa this year is some professional recording gear. Hope you enjoy it anyway...

Play: Podcast #6


Running order:
00:54: There Will Be Fireworks: In Excelius Deo
07:10: Interview: Panda Su
10:32: Panda Su - Eric Is Dead
15:44: Tokyo Knife Attack - Invisible Sister
20:15: Interview: French Wives
23:30: French Wives - Me vs Me
28:04: eagleowl - Sleep the Winter
34:09: Interview: Conquering Animal Sound
37:48: Conquering Animal Sound - Where The Wild Things Are
42:22: Interview: Dead Boy Robotics
44:31: Death Ohh Eff - Me and Fift (Dead Boy Robotics remix)
48:22: The Last Battle - Once Upon A Boxing Day
54:14: Interview: Cancel The Astronauts
57:27: Cancel the Astronauts - Funny For A Girl


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Podcast: Billy Hamilton, Nick Mitchell

Previous UtR podcasts

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Tuesday, 1 December 2009

Feeling festive yet?

Under the Radar ChristmasIs the first day of December a legitimate point to start looking forward to Christmas? Not that we have much choice in the matter, thanks to the incessant carol-soundtracked adverts that elbow in between TV shows from mid-October and the twinkly displays that festoon every shop window.

But we're no Ebenezer Scrooges here at UtR, and, despite the widely bemoaned stranglehold that The X Factor currently has over the once competitive Christmas chart battle (or perhaps because of it), it seems that independent bands and artists are also getting into the spirit of the season.

Already, we know of two up and coming Scottish bands with their own Christmas songs freshly pressed: There Will Be Fireworks (see Radar Recommends below for gig info) have just this week recorded a typically uplifting, Latin-titled effort called In Excelis Deo, while relatively new Edinburgh band The Last Battle are set to release their own more reflective lament, Once Upon A Boxing Day, next Monday.

Expect to hear both on our Christmas podcast coming soon, as well as a host of other select tuneage.

Have you heard of any other alternative Scottish Christmas songs? Leave your suggestions below.

From next week we'll be looking back on the year that was 2009 with our writers' choices of the best bands and gigs, some guest bloggers and plenty more besides. But before that, we'd like to know how the year was for you...

What was your favourite gig?
Which UtR-featured act did you enjoy most? (hint: see the full list on the right)

P.S. Tickets for the ever popular Fence Homegame went on sale today. It's not until March but it always sells out fast. More info here.

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Friday, 14 August 2009

This week we have been mostly listening to...

BeerjacketYou can't accuse us of being narrow in our tastes here at UtR. The first of our 'office stereo' blogs takes in a Springsteen cover, noisy post-rock, sweet girl-pop and star-gazing indie.

We may have our private little disagreements over which music to showcase, but this feature is an anything-goes platform where we'll all be talking individually about our favourite bands, must-hear tracks and guilty pleasures.

The question is, are you old enough to get the Fast Show reference in the headline? (Clue)


Beerjacket
'Dancing in the Dark'








MySpace / UtR profile

Having featured Beerjacket in an On The Radar article a few months back, I've kept an ear out for him ever since. It turns out Rolling Stone were rather excited about this track of his, which certainly got my attention. A Springsteen cover by a Scottish solo artist sounds a potentially hazardous combination, but by keeping it simple and letting the quality of the song shine through, Mr Beerjacket has created something wonderfully infectious.

Stevie Kearney


What The Blood Revealed
'The Corporation As We Know It Is Dead, Dead, Dead
'







MySpace

What The Blood RevealedDespite loving the band, I wasn't entirely convinced that What The Blood Revealed were the 'post-metal' act they labelled themselves. Post-rock with a bit of noise, maybe. Then I heard this riff-laden beast of a track.

It's got that slow lead up to a massive crescendo thing going on but with thumping bass and crashing drums and this monster guitar riff that just builds and builds. It's more Red Sparrowes or recent Pelican than Isis but that's no bad thing. Who knows, given time we might just see WTBR pop up on Southern Lord themselves.

Jodi Mullen


Pearl and the Puppets
'Because I Do'








MySpace

Pearl and the PuppetsThere's something alluring about a singing voice that sounds like Jodie Foster's accent - and all week I've found myself humming and bopping along on the subway to this catchy upbeat yet chilled out tune. The innocent sound of Pearl’s voice combined with the sweet yet meaningful lyrics make this my tune of the week, and I can’t stop myself from pressing the repeat button.

Clare Sinclair


Cancel the Astronauts
'Love Somebody'








MySpace / UtR profile

Cancel the AstronautsWith noggin pounding and fingers twitching, my over-worked aches have this week been soothed by the sound of Cancel the Astronauts’ massaging jangles. Already regulars on our blog, the Edinburgh quartet effortlessly fashion out a soar-away pop opulence reminiscent of Gold Mother-era James. My chosen track, the synth riddled ‘Love Somebody’, finds the quartet at their most dextrous; initially passing off as a hand-holding melee of strum and percussion, this ebullient sheen soon fades away for a tragic tale of heartbroken rejection. Quite simply, magnificent.

Billy Hamilton


There Will Be Fireworks
'We Were A Roman Candle'








MySpace / UtR Profile

There Will Be FireworksProving that an appearance on STV's The Hour show need not spell career suicide, There Will Be Fireworks singer Nicky McManus told me after a recent gig that the band will soon be starting work on their second album. Personally I'm still not tiring of the self-titled debut, and just this morning their impassioned tones greatly improved my weary, rain-drenched walk to work. This song epitomises their boundless ambition, ranging from breathy atmospherics to cacophonous screaming.

Nick Mitchell

What have you been listening to this week? Tell us below...

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Wednesday, 1 July 2009

Track by track: There Will Be Fireworks

There Will Be Fireworks

There Will Be Fireworks: It's not so much a name as a statement of intent.

The Glaswegian quartet - consisting of Nicholas McManus (above), Gibran Farrah, David Madden and Adam Ketterer - coil shimmering melodies around escalating post-rock structures to create music that mortar strikes your very core.

Somehow unsigned, the band release their self-produced debut LP today (1 July). And before the eponymously-titled record hurtles into the public sphere like an atomic bomb, UtR caught up with frontman Nicholas McManus to get the track-by-track lowdown on this astonishing album.

[The band were kind enough to allow us more or less free reign with the MP3s we chose to include, but we think it's only fair that some of the album is kept aside for those of you who go out and buy it.]

1. Colombian Fireworks

The spoken word part was written and performed by Kevin MacNeil, the author of The Stornoway Way. He came to one of our gigs, and I asked if he fancied doing us a wee turn a la Edwin Morgan on Idlewild’s The Remote Part. Happily, he agreed and wrote the piece for the album, recording it on Shetland with his brother and sending the file to us.

2. So The Story Goes
Just before this starts, you can hear Marshall – the sound engineer – say “just go for it”. We like leaving things like that in. It’s the first song in which our friend Karen Fishwick plays trumpet. The vocals were recorded with my mouth literally an inch from the condenser mic, so you can hear every little nuance. The idea with that was to make it sound intimate because, lyrically, the song is quite intimate. And quite sad.

3. Midfield Maestro

This was one of the first songs we recorded and is the oldest on the album. Writing it was a bit of a turning point for us. We stumbled upon how we sound now by simplifying everything to write this song, and discovered a poise that we hadn’t had before. The song is named in honour of this little figurine I used to have of Diego Maradona. I got it in Asda when I was six or seven and used to put it on top of my amp but I left it in some smelly practice room and haven’t seen him for over a year. Gutted.

4. Guising

This is a quiet wee vignette-type-thing. Again, recorded with really close mics so you can hear every nuance and the, vaguely disgusting, noise of my mouth moving. The guitar and vocals were done live at the top of a stairwell. The weird noises are that of an ebow on an acoustic guitar, using a slide. It’s quite an innocent song in a way; really just a couple of random memories stuck together. Someone described it as ‘knowingly naïve’ which is probably about right.

5. Off With Their Heads

This segues straight in from Guising. We were really keen to have an album that flowed as much as possible – a complete work rather than a collection of songs – and a lot of the time there are no gaps between songs. This is probably the heaviest song overall. I think we wrote this song the night before we recorded it. Probably not a great idea but it worked out OK.

There Will Be Fireworks6. I Like The Lights
This was the last song we recorded. Karen sings in it. We’ve got brass, strings, two drum parts and all sorts in it. It’s basically about when I was in Royal Exchange Square in Glasgow at night time with someone. I really do like the lights there – they’re pretty. It’s a very short song so there isn’t much to say about it except that it took me ages to get the piano right in the bit where everything kicks in because I have useless stubby sausage fingers.

7. A Kind of Furnace
This was the first primarily piano-led song we wrote. The spoken word part in the interlude is a passage from the Ian McEwan novel Enduring Love, spoken by Marshall the soundman using a really cool mic that looked like a walky talky. There’s a random accordion and organ progression at the end which we put in for a laugh because we found an accordion and thought it would be in some way wrong not to use it.

8. We Sleep Through The Bombs

After the rather sprawling nature of A Kind of Furnace, this is a welcome tune. The reverby guitar noise at the start was recorded by facing an amp into the hollow of a big piano. It probably doesn’t make much of a difference to how it sounds but we like to experiment with daft things like that and pretend we’re mad sonic pioneers like Phil Spector, but with better hair and less mental.

There Will Be Fireworks LP cover9. Headlights
Another piano led song. It’s quite striking, with quite a distinctive guitar line. The weird voices are Gibran singing wordlessly, with backwards reverb on. Basically, we recorded him singing gibberish, reversed the gibberish, put some hefty reverb on it, then put the gibberish back the right way round.

10. We Were A Roman Candle
Another vaguely angsty tune – I should really cheer up. I really loved recording the vocals because I got to scream like a maddy, which is always fun. A recording studio is the one place where you can shout and scream ‘til your heart is content and people actually say ‘well done, that was good’. After it, my vocal chords were torn to shreds and the next day I had a sexy husky voice. Sadly, it’s back to normal.

11. Says Aye

Probably the most optimistic song on the album. It’s about a kind of stupid wild optimism; a wide-eyed hope, but a good one. The little sample at the end is Edward R. Murrow; we found a random US Government infomercial from the 1950s about the threat of nuclear warfare that he had narrated. We couldn’t resist putting it in.

12. Foreign Thoughts

This is the poppiest moment on the album which is a bit paradoxical because of the weird instrumentation. David plays a non-bassy bass part, using a slide and a since-deceased delay pedal. Gibran used a really old, really cheap Yamaha keyboard played through a guitar amp. This is the one I’m most proud of lyrically – it’s basically a stream of consciousness but I like the scansion and the flow.

13. Joined Up Writing
Another optimistic song. At the end, when everything is fading out, I did a little raggedy acoustic bit, which is lyrically and melodically a throwback to Foreign Thoughts. It was intended as a not-very-subtle homage to the end of In The Aeroplane Over The Sea by Neutral Milk Hotel – I thought the way Jeff Mangum references back to Two Headed Boy at the album’s close was stunning and shamelessly pillaged the idea.

Words: Nicholas McManus (and Billy Hamilton)

The album launch is at Nice'n'Sleazy, Glasgow tonight (1 July), with support from Lions.Chase.Tigers and We Hung Your Leader.

You can buy the album online here.

Will there be fireworks? Discuss...

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Tuesday, 30 June 2009

Under the Radar podcast #2

Under the Radar PodcastLast month the famously provocative former NME writer Steven 'Swells' Wells died aged 49 after a battle with Hodgkin's lymphoma disease. His passing has led many to comment on the present state of music journalism and lament its apparent lack of authority and credibility, as a legion of bloggers threaten to swipe away the mantle of influence.

For our second podcast we investigate the situation in depth, enlisting viewpoints from both sides of the journos vs bloggers divide.

Billy has spoken to Mike Diver, former Drowned in Sound reviewer-in-chief and now online editor at Clash Magazine, and Matthew Young, the passionate blogger behind the influential, Edinburgh-based Song by Toad. Their answers make for a fascinating dissection of the future of music writing.

What's more, we have tracks by a fine array of UtR-tipped bands, including There Will Be Fireworks and Cancel the Astronauts, and we look forward to T in the Park with music from My Cousin I Bid You Farewell, Dead Boy Robotics and Tango in the Attic.

Enjoy, and let us know where you stand on the journo/blogger debate below...

Play: Podcast #2


Under the Radar podcast #2
(Right click and choose 'Save Target As' to save to your computer)

You can subscribe to the Under the Radar podcast at this link.

Running order:
01:20: There Will Be Fireworks - Foreign Thoughts
05:49: Cancel the Astronauts - Late in the City
10:34: Special report: music journalism v blogging (Mike Diver / Matthew Young)
20:18: Second Hand Marching Band - A Dance to Half Death
26:37: My Cousin I Bid You Farewell - The Contented Hearts
30:00: Dead Boy Robotics - We Drown Ourselves
32:59: Tango in the Attic - Jackanory

Words and Podcast: Billy Hamilton, Nick Mitchell

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Friday, 12 June 2009

On the radar: There Will Be Fireworks



Play: Foreign Thoughts


Scotland has a knack for producing bands of enormous sound. Acts such as The Twilight Sad and Mogwai have paved the way for others to blast into the mainstream. From north to south and east to west, heroic conversations are being had to their songs.

Hailing from Glasgow, There Will Be Fireworks promise to be the next such band, having already turned the head of DJ impresario Steve Lamacq. Together for little over a year, it's remarkable just how revered the quintet have become.

Vocalist and guitarist Nicholas McManus confirms a few of their native influences: ‘We all like stuff like Mogwai, Twilight Sad, Frightened Rabbit, LCD Soundsystem. We all like The Knife as well. I don't know how much any of them influenced us because we never take a conscious starting point for a song, but I reckon the post-rock influences are probably quite apparent."

UtR's featured track, Foreign Thoughts, is one of their most rousing tracks. From the initial bar to the last buzz of distortion, it's pure musical heroin. There's an addictive pushing and pulling at the start that's like two magnetised symbols clashing together. Aided by McManus' emotive delivery, the track builds to a crescendo that makes you want to sing as loud as your lungs will let you.

And what sets There Will Be Fireworks apart from their contemporaries? "We try not to be confined by any genre, so hopefully we sound a bit different because of that," explains McManus. "Some of our songs are little scuzzy discordant pop songs like Foreign Thoughts, some are really heavy and dense and some are totally sparse."

He continues: "Our initial intention was to take post-rock textures and sounds but to put them to use in what are, essentially, really simple pop or folk songs. We always knew we were going to have lyrics as well - we never wanted to be purely instrumental - so hopefully there's something a little unusual in the marrying of post-rock dynamics and narrative lyrics... I don't know if that really makes us different, but it might do!"

Due for release at the start of next month, the band's debut LP will surely mark them out as Scotland's latest epically inclined guitar heroes. Mark our words, There Will Be Fireworks are an act to keep a close eye on.

Intrigued? Watch There Will Be Fireworks live at the following dates:

24 Jun @ Oran Mor, Glasgow
1 July @ Nice N Sleazy, Glasgow [album launch]
14 July @ Electric Circus, Edinburgh


Words: Halina Rifai

There Will Be Fireworks' self-titled debut album is released on 1 July. Check back here for an exclusive track-by-track breakdown from the band themselves in the week before its release.

What you think of these Scottish sparklers? Let us know below...

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