Monday, 11 January 2010

Live review: We Sink Ships

The 13th Note, Glasgow
Friday 8 January


Tonight brings both celebration and sadness for We Sink Ships. Ostensibly a launch party for WSS Radio, the Glasgow based art and music collective’s new podcast series, the gig was also a farewell to the duo’s Neil Milton – whose contributions will now come from his new home in Warsaw.

It may mark a new chapter in We Sink Ships history but this promising line-up boasts some familiar names. Euan McMeeken opens without his Kays Lavelle cohorts, performing solo material as well as stripped-down versions of tracks from the septet’s upcoming debut album.

Without his colleagues, McMeeken’s music is a different beast – fragile, simple, like the sound of a Christmas card-perfect snow scene. It sounds like the city looks tonight – delicate flurries of piano notes fall like snowflakes and McMeeken’s voice is whispery and emotive despite microphone problems.

If McMeeken’s music is all Scottish winter love songs then Iceland’s Benni Hemm Hemm is going to see your silly Scottish winters and raise you some arctic permafrost. “I might be making fun of you for thinking this is cold,” says band foreman Benedict Hermmannson, introducing a song he claims is about “when you’re trapped inside because of the weather and the only thing to do is attack your loved ones’”

Sporting a reindeer emblazoned novelty sweater, he sings in a mixture of heavily-accented English and Icelandic with the benefit of brass accompaniment from the Second Hand Marching Band. Although the set dips a little in the middle, by the end voice and instruments combine in a way which can only be described as joyous.

Is it cliché now to joke that the Second Hand Marching Band are getting too big for the ‘Note? It’s just that when part of your improvised instrumentation involves your ukulele player using the ceiling as percussion it’s one that’s hard to avoid. There isn’t much that can be said about the many-headed group that we haven’t said before, unless it’s to remark that live their sound is even more charmingly ramshackle than it is on record.

While tracks from early EPs still dominate the set, new material sounds promising - there’s a gentle sea-shanty style song, with sweet male-female vocals, and the epic 'A Hurricane, A Thunderstorm' which closes the set. This is supposed to be the band’s last show for a few months, while they disappear to work on more recordings, and it’s a good note to end on.

We Sink Ships will appear every Tuesday on Radio Magnetic with top fives, sets from Neil Milton and Heidi Kuisma and guest DJs, as well as the podcasted return of Milton’s Too Many Fireworks label.

Words and photos: Lisa Marie Ferla

Labels: , , ,

Bookmark and Share
0 Comments

Tuesday, 29 December 2009

Lisa-Marie Ferla: My year in music

Withered HandUnder the Radar writer Lisa-Marie Ferla looks back on her transatlantic adventures of the past year and the music that soundtracked it...


Like many such stories, this one starts with a boy.

His name? Dan Willson. Quiet, unassuming and I doubt he noticed me that night in the 13th Note. The man behind Withered Hand (pictured above) was dishevelled and delirious and concentrating on his songs, these intensely personal, angst-ridden ramblings at once beautiful and profane. Eyes closed, he probably didn’t even notice the girls in the front row singing their lungs out to his 'Religious Songs' like another kind of hymn.

The thing is though, there was another boy. In the dying days of the job I lost earlier this year I saw a message on Twitter that Nick Mitchell and Under the Radar were looking for writers and, armed only with a promo CD by a Glasgow-based electronic act called The Lava Experiments who had seen my own blog I thought I would give it a bash. Nick knew who I was, vaguely – one of my photos of singer-songwriter Beerjacket had actually ended up on the site a few weeks previously – and the interview I put together was good enough to merit me being taken on.

2009 has been a bit of a rollercoaster year for me, but as I have struggled to come to terms with my changing place in the world the opportunity offered to me as a writer for UtR has opened my ears to a whole new world for a girl who, musically, has always looked towards the horizon. That’s not me saying that my taste is expansive, incidentally – more like the music I listen to tends to sound like roadtrips and car chases and epic American sunsets.

There has been a lot of navel-gazing, on this site and others, recently – talk that the Scottish music blogosphere “bigs up” its own undeservedly. It made me laugh because, for years, I turned away from the local. Scottish music was, to me, Texas and my much-loathed Belle and Bloody Sebastian, and the fact that half of Sauchiehall Street wouldn’t exist if it wasn’t for MySpace and everybody’s kid brother in some dreadful Britpop tribute band. So focussed was I on my limited edition US import alternative country vinyl that I was oblivious to the wealth of talent on my own doorstep.

This year I saw a US legend older than my father go down a storm at a rainy Hampden Park, and punched the air as my new favourite band rocked a basement in Cincinnati, Ohio. I cried along to my favourite song in the world, live; and blew a kiss at Elvis Presley’s grave (after having my photo taken in front of the plane that bears my name and that of his daughter’s). But among all of these adventures, two moments stand out: both of which were punctuated by Scottish bands and both of which couldn’t have taken place further from my blustery Glasgow home.

Second Hand Marching BandIt was February, as London ground to a halt in the middle of the sort of snowstorm we turn our noses up at north of the border my best friend and I fought to make the train that would take us away for a birthday week in Bath. As I tried to drag my little wheeled suitcase along a particularly treacherous pavement, cheeky voices in rough harmony poured out from my earphones. “Don’t go outside in the rain and the snow!” warned the Second Hand Marching Band (above), but while it was too late for us at least we made it to Paddington in time.

Halfway across the world, another friend and I crossed the Wolf River from Memphis into Arkansas just to say that we did. As we turned around for the drive back into Tennessee a tremendous crack of lightning split the sky in half, and I caught my breath even as the in-car playlist hummed along with some live version of Frightened Rabbit’s 'Good Arms vs Bad Arms'. What I went to America to find, the sound of my soul, was reflected in a band with its roots not a hundred miles from my home.

What a ride. Joyous, life-affirming and essential. In 2010, I continue my education, and I can’t wait to hear what’s out there. An album for Julia and the Doogans, hmmm?

Withered Hand: No Cigarettes


The Lava Experiments - The Release


Second Hand Marching Band - A Dance to Half Death


Julia and the Doogans - New York

Labels: , , ,

Bookmark and Share
0 Comments

Sunday, 13 September 2009

Radar recommends: 13 - 19 Sep

Findo Gask
[Findo Gask at Sleazy's on Saturday: "Imagine Crufts but with just men"]

It doesn't really come under our purview (a Malcolm Tucker reference there folks), but last week we mentioned a certain midweek football game. So we should probably let all you sports-hating music fans know what happened.

Scotland lost - in that valiant, heads-held-high style of losing we specialize in. And now with nothing but the depressing prospect of two big Glasgow teams battering wee diddy teams week in week out for the next year, at least we can console ourselves with plenty of live music...


Dundee
Hip Parade, Colour Coded, The New Times
Friday @ Fat Sam's / 8pm / £6
Tabloid-friendly rock schlock. Not exactly recommended but the good people of Dundee need something.

Edinburgh
Jeremy Jay, Tissø Lake, The Colourful Band
Monday @ The Bowery / 7pm / £7
Californian Jeremy Jay does the whole frail-voiced, affirming thing, and does it very well.

Second Hand Marching Band, Withered Hand, Wounded Knee
Wednesday @ Wee Red Bar / 7.30pm / £4 (£3)
One question arises from this: how do you fit Scotland's biggest indie marching band into the Wee Red Bar? Turn up to find out, and witness two of Edinburgh's most interesting songwriters in support.

Banjo or Freakout, Dead Boy Robotics
Friday @ Sneaky Pete's / 7pm / £5
London-based Italian Alessio Natalizia goes by the name of Banjo or Freakout and does lo-fi covers of Burial and LCD Soundsystem. DBR need no introduction to readers of this blog.

Gang Of Four
Friday @ HMV Picture House / 7pm / £18.50
The original post-punk iconoclasts return. Well, half of them do anyway, to play their best album, Entertainment! Also playing ABC, Glasgow on Saturday.

Emily Scott, Beerjacket, Julia and the Doogans
Saturday @ Wee Red Bar / 7.30pm / £7
Trampoline presents a night of stellar acoustic talent, with UtR-tipped Emily Scott and Beerjacket, plus the moonlit lullabies of Julia and the Doogans.

The OK Social Club, Black Alley Screens, Sebastian Dangerfield
Saturday @ Sneaky Pete's / 7pm / £5
Scuzzy indie rock from The OK Social Club, with local support.

Glasgow
Brother Louis Collective
Monday @ Capitol / 7pm / £tbc
Please your ears by getting them near this orchestral-pop marvel. Featured a few weeks ago right here; check it.

Theoretical Girl, Tango in the Attic
Monday @ Captains Rest / 8pm / £5
Posh sounding chamber-pop hottie swims up from London to hook up with a few boys from Glenrothes. Sounds like a match made in personal ad heaven.

Aidez Moi, Cursive Hearts, Clear Air Turbulence
Tuesday @ Nice'n'Sleazy / 7.30pm / £4
Keyboard-wielding, electro-loving, post-industrial Aidez Moi - describe them however you like and enjoy the pop tunes.

Clara Belle, Earl Grey & The Loose Leaves, D Bass Collective
Wednesday @ Nice'n'Sleazy / 7.30pm / £tbc
Scottish/Japanese Clara Belle's sweet voice captures the heart with delicate melodies strummed along by ukelele. Expect things to get jazzy with tea-obsessed Earl Grey and multi-member D Bass Collective.

Codeine Velvet Club
Wednesday @ Classic Grand / 7.30pm / £8
Jon Fratelli takes time from his day-job and pairs up with cabaret-loving singer and Glasgow Club Noir regular Lou Hickey.

Times New Viking, Copy Haho, Mellifluous, Surreal Knights
Thursday @ Nice'n'Sleazy / 7.30pm / £7
Fuzzy, loud and fun lo-fi rock from Ohio's Times New Viking perfectly complemented by indie/pop fun from Copy Haho.

Cassidy, Three Blind Wolves, Paper Planes
Thursday @ Oran Mor / 6pm / Free

They've got wood; and they're not afraid to use it. All acoustic four piece joined by a couple of Glasgow's darlings. FYInteresting information, Three Blind Wolves were formally Ross Clark and the Scarfs Go Missing.

Sugar Crisis
Thursday @ The Apple Store / 7pm / Free
Glasgow duo Sugar Crisis offer a taste of their sweeter than sweet electro-pop (think Bis but even more hyper) with this free in-store gig.

Come on Gang!
Thursday @ Captains Rest / 8pm / £tbc
Come on then! What are you waiting for? Like you have anything better to do on a Thursday night than get a little closer to this sexy three-piece.

Zoey Van Goey
Friday @ Oran Mor / 7pm / £6
Recent Chemikal Underground signings Zoey Van Goey play from their acclaimed debut album.

Charlotte Hatherley
Friday @ King Tuts / 7pm / £7
Out of the Ashes... hmmm... might just stay well clear of that pun. Sometime Bat for Lashes guitarist, multi-instrumentalist brings it to Glasgow solo-style.

The Phenomenal Handclap Band, The Declining Winter, Second Hand Marching Band, Burnt Island
Friday @ Captain's Rest / 7.30pm / £5
The live arm of Is This Music? returns with New York's Phenomenal Handclap Band, plus UtR favourites the Second Hand Marching Band and the melodic Burnt Island, a musical venture from author Rodge Glass.

Our Lunar Activities
Saturday @ King Tuts / 8pm / £5
Placebo rip off or not Placebo rip off, if you have yet to see this band you should. Even if it's just for the plain fact that they have been around for so long.

Boycotts, The King Hats, Popolo
Saturday @ Captains Rest / 8pm / £tbc
Boycotts are celebrating a birthday and everyone's invited. If you want to see the best new music from Scotland get there sharp.

Stereo Open Day: Correcto, Jacob Yates & the Pearly Gate Lockpickers, Tut Vu Vu, DeSalvo, Fox Gut Daata, Gummy Stumps, Furhood, Schnapps, Peter Parker, Chlorinide and Nanobots
Saturday @ Stereo / 3pm / £5
With this lineup, Stereo and organisers Huntleys & Palmers Audio Club are really spoiling us. All day sharp post-punk/"Doom wop"/screamy masked terror/MCs/rock'n'roll/etc fun for a bargain price.

Sounds in the Sububs: The State Broadcasters and Vinny Peculiar
Saturday @ The Woodend Tennis and Bowling Club / 8pm / £7
This Jordanhill venue might be out of the way but it's worth the trip to hear this Americana-inspired six-piece, playing from debut album The Ship and The Iceberg.

**UtR's gig of the week**
Crufts #1: Findo Gask, The Happy Particles, Popolo
Saturday @ Nice'n'Sleazy / 7.30pm / £4
Former UtR guest bloggers Findo Gask present the first of four monthly nights at Sleazy's. Members of Remember Remember, Stapleton and Simplestorm make up The Happy Particles and UtR-tipped Popolo join the bill. Top dog.


Words: Elaine Liddle, Aimi Gold, Nick Mitchell

What have we missed? Tell us below, or add it to our gig guide by emailing utr.scotsman@gmail.com

Labels: , , , , , , ,

Bookmark and Share
0 Comments

Tuesday, 11 August 2009

Where they are now: The Second Hand Marching Band

The Second Hand Marching Band

Play: A Dance to Half Death


One of the suggestions which arose in the comments thread that followed our first editorial 'the sharp end of the hatchet job' a couple of weeks ago was that it's fine to introduce new bands, but wouldn't it be better to have a status check further down the line to find out which stage of world domination they've actually reached.

With this in mind we thought it was a good time to report on the current success of The Second Hand Marching Band. Billy profiled the fluid 22-piece ensemble (comprised of members of bands like Danananaykroyd, How to Swim and Eagleowl) back at the beginning of April, paying hommage to their "swaying, earthy orchestration and climatic post-rock".

Now it seems like everyone's talking about them. Last night they performed a live session on Vic Galloway's BBC Introducing radio show which included a cover of the At the Drive-in song 'One Armed Scissor'. The collective are gaining a bit of a reputation for their discerning indie covers after performing a version of 'Atlas' by Battles at the All Tomorrow's Parties film premiere in Edinburgh last month.

They have now sold all 150 copies of their excellent debut EP A Dance to Half Death, so the generous souls are giving it away as a free download.

You can watch the full spectacle of The Second Hand Marching Band live at the 13th Note, Glasgow this Saturday (15 Aug) and keep up-to-date with all their movements via Twitter.

World domination score: 5.5

Words: Nick Mitchell

Play: TSHMB - We Walk in the Room


Debate: tell us what you think of one of Scotland's biggest bands below...

Labels: ,

Bookmark and Share
4 Comments

Monday, 6 April 2009

On the radar: The Second Hand Marching Band

The Second Hand Marching Band

In a world where big is best but supersize is better, it seems strange that few acts exceeding the token four-member blueprint ever make the grade.

Perhaps it’s down to a lack of focal point, or maybe it’s just that most voluptuously numbered acts are cut from the same threadbare cloth as I’m from Barcelona and Polyphonic Spree? Either way, it’s difficult to think of many copiously membered bands who’ve achieved a success beyond freakish cult status.

The Second Hand Marching Band [TSHMB] may just change all that.

A fluid 22-piece ensemble made up of myriad groups from across the central belt [including Danananaykroyd, How to Swim and Q Without U], TSHMB’s traversing folk shanties are a thrilling skewer of swaying, earthy orchestration and climatic post-rock played the only way possible: at booming decibels.

Play: TSHMB - A Dance to Half Death


Accordion player Peter Liddle says of the band’s purpose: “We're doing what we do because every country should have a ridiculously sized indie/folk ensemble that actually play instruments and have songs. We want to create the overwhelming feelings in post-rock music with folk instruments as well as make dancing songs.”

They may be voluptuous in body but that doesn’t stop TSHMB producing deeply affective laments dextrous enough to flutter the strings of the heart and scuff up soles on the dance floor in one fell, melodic swoop.

Play: TSHMB - We Walk in the Room


Blessed with an array of instrumentation and a diverse cross section of inspirations, TSHMB are innately aware of the vantage point their girth provides: “Our band is different because we can produce a sound that other bands can't,” explains Pete. “We have different instruments and they can make a beautiful chorus that isn't possible on guitars.”

As for the future? Well, it’s all systems go according to Peter: “We want to make a few good recordings and we want our band to shape the scene here because, between us, our [20+] bands can share things a bit better and help each other with recordings.”

- Billy Hamilton

Labels: , ,

Bookmark and Share
0 Comments