Wednesday, 16 December 2009

My Christmas: Peter Kelly (Beerjacket)

Peter KellyWhat's Christmas all about again? Someone's birthday or something? The 25th of December now means different things to different people. So in the run-up to Santa's arrival we'll be asking some of Scotland's music makers what their Christmas message is. First up is Peter Kelly, who has caused quite a stir this year under the guise of Beerjacket...

I must have been maybe eight or nine when I caught my Mum out on a lie for the very first time.

Christmas was but weeks away and the existence (or otherwise) of Santa Claus was a heated topic within my class at primary school. I was a fervent, card-carrying believer in him, flying in the face of the frosty cynics with (and from) whom I learned as a child.

But doubts had been planted in my mind.

Mum has always been an overly cautious driver and she was focusing fully on a tricky mini-roundabout. She was therefore caught unawares when I told her, “Some kids at school have been saying Santa Claus isn’t real.”

Fixated as she was on her manoeuvre, her parental consciousness depleted, she added her concurrence to the matter: “Yes - that’s true.”

Come on, Mum. Everyone knows Santa is for real.

Christmas has always been a source of great joy for me. It’s December and I’m a child again. I love the lights... I love the sounds... I love the irrational sniggering happiness of it all. It’s like everybody’s birthday at once. Yes, I know, it’s one particular person’s birthday.

It’s my mate Ross’s birthday. Happy Birthday when it comes, Ross.

I even love the music. And I don’t mean the cool music (Low’s beautiful Christmas EP, Frightened Rabbit’s stunning It’s Christmas So We’ll Stop, the impeccable Sufjan Stevens 5-CD Christmas compendium...) or even the ironic, you-only-like-it-because-you’re-aware-it-sucks music (Christmas Wrapping... Merry Christmas Everybody...). No, I mean, like Mariah Carey’s All I Want For Christmas Is You. Like, Do They Know It’s Christmas? Even Wizzard’s I Wish It Could Be Christmas Every Day. I love those songs. In fact, I’m gutted that ill health has prevented me from contributing to the Avalanche Records Christmas album because I had either a Mariah Carey cover or a similarly sappy original song planned for inclusion. Christmas is not only an opportunity not be cool, it is MANDATORY not to be cool.

So this is Christmas. And what have you done?

Well, I suppose this might have been the year when my musical project Beerjacket was sort of legitimised in the public eye. A fairly self-destructive rather than self-indulgent solo project, as it has been, I’ve been at this for five years now. It’s never been especially festive given its cheery themes of isolation, disillusion and passive aggression, therefore I’ve generally avoided the month of December for public outings when I’ve run into the likes of female rugby team Christmas nights out when I played shows, more or less into the face of the wind. This year - the year when Beerjacket was outlandishly endorsed by the ohmygoodness likes of Rolling Stone – has been no different. I hung up my cloak for now in November, at least till sometime next year, playing out my final show of 2009 for Glasgow PodcART. It was a pretty emotional night for me, putting a full stop to this very successful, if tumultuous year.

And a happy New Year
Let's hope it's a good one
Without any fear.


Well, without fear, what exactly would I write about? What exactly would anyone write about? I’ve actually shelved immediately plans for a new album for now, so soon (too soon?) after Animosity as I wait to discover what, if anything, I really need to let people hear. I plan to record a few months from now (I had planned to commit an album to tape before the end of the year… but what exactly is the hurry?) and if/when I do, I feel sure it’ll make as excellent a Christmas gift for all the family in 2010 as my current album would certainly make this Christmas, which one can easily find in quality record stores such as Avalanche in Glasgow and Edinburgh, as well as at iTunes, Amazon MP3 and eMusic.

Merry Christmas and a Happy New Year to you all.

Beerjacket: Drum

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Wednesday, 7 October 2009

Under the Radar podcast #4.5

Podcast #4.5A couple of months back we pondered the question of whether an unsigned band can achieve a reasonable degree of success without the backing of industry 'pros'.

At the time it seemed to hit a nerve with our readers, prompting you to wade in with some very well-informed, illuminating comments (for the interweb at least).

Unfortunately we never got round to pursuing the issue in the podcasts which have followed, so to make amends, we asked UtR contributor Stevie Kearney to go out and investigate the DIY issue in a bit more depth. (No, he didn't go undercover at Homebase, before someone tries that one.)

Stevie spoke to Peter Kelly, who has tasted a few crumbs of success from the top table in his guise as Rolling Stone-touted Beerjacket, although the Glasgow singer-songwriter has some scathing words for the record industry big-wigs.

Stevie also chatted to someone who knows a thing or two about the kind of well-intentioned, small-scale operations we discussed in the editorial. Tallah Brash is the newest addition to the ever-expanding Edinburgh band Jesus H. Foxx, who have been championed by the tireless blog/label Song, by Toad.

Because it doesn't run to the normal 40-odd rambling minutes and is instead an opinion-packed package, we've stopped short of branding it podcast #5. Instead we opted for the ingenious title of ... podcast #4.5.

(Dis)agree with the points made? Join the debate below...

Play: Podcast #4.5








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Podcast: Stevie Kearney

Listen to Stevie's own podcast at Dylan and the Mule

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Sunday, 20 September 2009

Radar recommends: 20 - 26 Sep

French Wives
[French Wives: playing Sneaky Pete's on Saturday]

We've been busy recording our latest podcast today, hence the later-than-usual appearance of the weekly gig guide. Apologies for the disruption, normal service will be resumed now. Please remember to take all your bags and possessions with you. Ticket barriers are in operation.

Confused? I know I am.

Aberdeen
Trapped in Kansas, Cast of the Capital, El Dog
Wednesday @ The Tunnels / 7.30pm / £4
We've already called Trapped in Kansas 'Scotland's most accomplished math rock act'. They'll be playing with Aberdeen upstarts Cast of the Capital in this Freshers' week gig which is open to people who aren't even Freshers. Such equality!

Right Hand Left, Jack Butler
Thursday @ Snafu / 9pm / £4/3
A little bit Franz Ferdinand, a little bit Television and a little bit something of their own. One of the best live bands in Aberdeen headline this week's Dirty Hearts Club.

Dundee
Sucioperro
Friday @ Dexter's Lounge Bar / 8pm / £tbc
According to the band they try to write a great rock song before they 'Sucio' it. You can hear another reason why there must be something in the water in Ayr as Sucioperro play Dundee.

Edinburgh
Drever, McCusker & Woomble, Heidi Talbot, Boo Hewerdine
Monday @ Brunton Theatre / 7.30pm / £13.50 (£11.50)
Folkster trio led by the shaggy-haired Idlewild frontman.

The Pineapple Chunks
, Jesus H Foxx

Wednesday @ Wee Red Bar / 7.30pm / Free
Huey Lewis and the News tribute band The Pineapple Chunks are joined by Edinburgh punk-funkers Jesus H Foxx.

Jeniferever, Midas Fall, Beerjacket
Thursday @ Cabaret Voltaire / 7pm / £9
Swedish post-rock from Jeniferever, while Glasgow's fast-rising Beerjacket will be strumming along in support.

**UtR's gig of the week**
French Wives, The Occasional Flickers, Cancel the Astronauts
Saturday @ Sneaky Pete's / 7pm / £5
If you want a taste of some of the best new music Scotland has to offer, look no further.

The Low Miffs & Malcolm Ross
Saturday @ Cabaret Voltaire / 7pm / £tbc
Whether it's The Low Miffs and Malcolm Ross or Malcolm Ross and the Low Miffs, one thing is clear: this gig will feature both the Low Miffs and Malcolm Ross, and comes highly recommended.

Ladyfest: Sellotape, Zorras, Hailey Beavis, Jo Foster
Saturday @ The Bowery / 7.30pm / £3
All the ladies of the world... diverse bill of local female-fronted acts join forces. Watch out men!

Glasgow
David Thomas Broughton, Twi the Humble Feather
Tuesday @ Captain’s Rest / 8pm / £tbc
Experimental folk, making use of samples and found sounds. Also playing on Wednesday at Sneaky Pete's in Edinburgh.

The Atlas Skye, The Darien Venture
Thursday @ The Mill (Oran Mor) / 8pm / FREE
Darkly melodic local rock and roll from Atlas Skye, paired with The Darien Venture’s sonic explosion.

Fuck Buttons
Thursday @ Stereo / 8pm / £8.50
Beats, blips and noise from naughtily-named experimental Brighton duo.

Le Reno Amps, Super Adventure Club, Peter Parker, The Elvis Suicide
Thursday @ 13th Note / 9pm / £tbc
Melodic punk from Glasgow underground superstars. The madcap world of Super Adventure Club provide support, along with Peter Parker and The Elvis Suicide.

Sunny Govan Community Radio Fundraiser
Thursday @ Fairfield WMC / 7.30pm / £5
Five acts for five pounds in support of Govan’s community radio station. The Hellfire Club, ID Parade, Ballachulish Hellhounds, Alkotron and Stephen Maguire provide the entertainment.

Wounded Knee
Thursday @ Box / 8pm / FREE
Under the Radar favourite hits the west coast this week!

Chuck Prophet, Otis Gibbs
Friday @ King Tut’s / 8.30pm / £13.50
Aware that describing a band as the missing link between Big Star and the Replacements is going to endear them to nobody but me, let’s just say that Chuck Prophet’s sound is classic Americana-infused rock. Support from the deliciously gravel-voiced Otis Gibbs.

GGI Festival
Saturday and Sunday @ Stereo / 2pm / £12 (day), £20 (weekend)
Two-day punk extravaganza showcases local talent alongside bands from further afield. Catch Fleas and Lice (the band, not a reflection on the venue) with Poison Sisters and The Bucky Rage on Saturday, while The Plimptons and The Amphetameanies are among the draws on Sunday.

Slow Club, Cate Le Bon, Young States
Saturday @ Classic Grand / 7pm / £7
Hotly tipped harmonious boy-girl indiefolk duo. Cate Le Bon is a Welsh singer-songwriter with a voice like Nico, while Young States complete the bill with gorgeous, local pop in the Frightened Rabbit vein.

Words: Lisa-Marie Ferla, Andrew Learmonth, Nick Mitchell

What have we missed? Tell us below, or add it to our gig guide by emailing utr.scotsman@gmail.com

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Wednesday, 9 September 2009

So who will be the next Scottish Mercury winner?

Speech Debelle

The odds of a Scottish act reclaiming the Mercury Music Prize would appear to be at an all-time low.

After handing the gong to a bunch of grizzly Northerners last year, the judges reverted to type and bestowed the £20K cheque upon the talented but hardly groundbreaking rapper Speech Debelle (above) last night.

And Glasvegas frontman James Allan couldn't even be bothered to show up.

But on the other hand, if the type of winner does really run in cycles, that could mean that a Scottish win is in the pipeline. First it was Primal Scream in 1992, then a long gap until Franz Ferdinand in 2004, but who will be our nation's next media dahlings?

UtR writers offer their tips...

We Were Promised Jetpacks We Were Promised Jetpacks - nominated by Aimi Gold

We Were Promised Jetpacks can multi-task.

Like rubbing your belly and patting your head at the same time, the Jetpacks have managed the tough task of tapping into the UK and American market simultaneously; making fans and selling albums on both sides of the Atlantic.

Their beautiful debut album These Four Walls gut-punches with emotionally driven lyrics and music that compliments, rich in dynamics and confident in delivery. Opening track 'Thunder and Lightning' is a statement that demands attention, with vocalist Adam Thompson's performance sung and shouted with obvious passion.

In quieter moments, such as 'This is my house, this is my home', the album shimmers with stunning melody and subtle guitar hooks.

Accessible without trying to be, We Were Promised Jetpacks should be given every accolade that raises their profile and ensures These Four Walls reaches every house in the country.

Play: Quiet Little Voices


Broken RecordsBroken Records - nominated by Andrew Learmonth

Apart from great songs and great musicianship, what Broken Records have that makes them potential Mercury winners is commercial appeal.

Until The Earth Begins To Part (UTEBTP) is an album like Elbow's Mercury-winning Seldom Seen Kid. Those already aware of the band love them wholeheartedly, but UTEBTP is a record that can induce plenty of potential converts.

It's clever, affecting, complicated music they write, not introspective self indulgent nonsense. That doesn’t stop them being a band who would be equally at home on the playlist of Radio 1, 2 and 6, and there's probably some folky, world music show on Radio 3 that they could be shoe horned into.

The true test of any song on any album is how it would sound on the radio. ‘If The News Make You Sad...’ sounds amazing.

Play: If The News Makes You Sad Don't Watch It


BeerjacketBeerjacket - nominated by Elaine Liddle

Alongside the token jazz act of the year, the Mercury judges have often seen fit to shine a light on solo singer-songwriters. Granted, it's not since Badly Drawn Boy in 2000 that someone of this ilk has won, but take a look back at almost any year in the last decade and you'll spot one: Laura Marling in 2008, Fionn Regan in 2007, Seth Lakeman in 2005.

The styles might differ but the common thread is of solitary, guitar-strumming writers stringing their emotions into a well-crafted song. Beerjacket certainly has that in hand on latest album Animosity. Meanwhile his Springsteen-covering ways have brought Peter Kelly the attention of a wider audience in recent months, just the kind of buzz Mercury judges adore.

And can't you just picture Lauren Laverne smiling over 'Dancing in the Dark' during one of those awkward nominee interviews they show on BBC2 before the announcement is made?

Play: Drum


Maple LeavesMaple Leaves - nominated by Clare Sinclair

Having adorned the T Break stage after just three months of being and armed with the sort of summery melodies and harmonies that leave you with no choice but to sing along to, who else could storm future Mercurys Award shows but Glasgow triad Maple Leaves?

Not every three-piece can make such a big, voluptuous sound, and it’s their sheer musicality that does it for me every time. Having been spotted so quickly in their careers, and with an eagerly anticipated EP due for release this autumn, this is a band capable of taking us back to the roots of music, much like Belle & Sebastian once did.

Play: Easy Speak


MeursaultMeursault - nominated by Stevie Kearney

On sheer omnipresence alone, Meursault deserve an award. There is a credible rumour doing the rounds that the Edinburgh band have pioneered cloning technology and there are actually seven Meursaults – one for each day of the week.

Other than their ferocious schedule, there are lots of reasons to love this band. Last year’s Pissing on Bonfires, Kissing with Tongues was a superb mixture of structured songwriting and strange electronic noises, which may be just the right combination to appeal to the Mercury judging panel. The new material currently doing the rounds at their many gigs is, in a word, awesome.

With the backing of Song, by Toad records and plans afoot to tour a little further from home, next year should, if there is a God, see Meursault break into the mainstream both in the UK and abroad. Like a favoured son leaving home, Meursault need to be packed off into the big bad world. We’ll miss them when they’re gone.

Play: A Few Kind Words


Withered HandWithered Hand - nominated by Lisa-Marie Ferla

Okay, I'll admit it: on first listen, the odds look steep. Scratchy vocals which could at best be described as eccentric, lo-fi production; lyrics which reference loneliness, depression, religious guilt and masturbation... Withered Hand is hardly a mass-market proposition.

A listen to debut album Good News however reveals an accomplished singer-songwriter in his Sunday best, face washed and long hair tucked behind ears. It's just as clever, just as raw - but laced with moments of sublime singalong harmony which couldn't help but raise a smile in the grumpiest of judging panels.

Every one of these lists needs a singer-songwriter, and you'd be hard placed to find a better one in Scotland than Dan Willson. Antony and the Johnsons' strangled frog vocals took the Mercury crown, Badly Drawn Boy strummed and hummed his way to the prize - if there was any justice, Withered Hand should too.

Play: No Cigarettes


Wounded KneeWounded Knee - nominated by Billy Hamilton

The roll call for this year’s Mercury Music Prize suggests the odds of Drew Wright (AKA Wounded Knee) one day emerging victorious with a cheque for £20K are fairly slim. But, think about it: is it really that preposterous?

Sure, his freeform expressionism is hardly in keeping with the mainstream-manicuring of the modern day; then again didn’t Talvin Singh (who?) encounter the same protestations?

Likewise, Wright’s indecipherable intone may seem too obscure for the MP3-attuned masses, but , let’s face it, Dizzee Rascal’s elocution left a lot to be desired.

And as for being from north of the border? Well, if a transvestite American can win it then, hell, surely a robe-adorning Scot with a penchant for hymnal skatting [keep it clean gents] is in with a chance?

In fact, the more I think about it the more it becomes clear: Wounded Knee is a shoe-in for the Mercury Music Prize.

ErrorsErrors - nominated by Nick Mitchell

The precedents for an instrumental electronica Mercury winner are practically non-existent - unless you somehow squish Roni Size's hyper-speed D'n'B into that particular musical cookie cutter ... maybe not.

But that surely means that Errors' time is ripe for some breakthrough recognition.

Last year's ungrammatically-titled debut LP It's not something but it is like whatever - and indeed the How Clean is Your Acid House? EP that preceded it - were both thrilling portals into their unique sound world, lying somewhere on a weird continuum between Warp Records and Mogwai.

The Rock Action-signed Glasgow quartet are currently busying themselves with album number two, and you can bet they'll be pushing their abstract yet danceable crossover jams even further forward.

If Led Bib can make the shortlist this year, then why not Errors for 2010?

Play: Salut France



Do you have a future Mercury tip? Let's be hearing it...

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Thursday, 27 August 2009

Under the Radar podcast #3

Podcast #3It's been a while 'in development' - or more accurately, 'on the backburner' - but at long last we present our third podcast to new music fans everywhere.

This time we paid a visit to Mr Stevie Kearney's home studio in Leith for the recording. Stevie is a regular UtR contributor and a genuine audio whizz, having presented his own shows on Fresh Air as well as setting up his own podcast over at Dylan and the Mule.

The third instalment is all about the music: we have an exclusive new track from Trapped in Kansas, a Springsteen cover by Beerjacket and new singles by UtR-featured Randan Discotheque and The Seventeenth Century.

On top of that, Stevie caught up with Edinburgh band White Heath for a chat at their recent EP launch, and there's more music from Glasgow/Dundee math rockers Popolo, a band we haven't featured yet (shock) in My Tiny Robots, and Small Town Boredom, the Paisely duo who were offered a record deal a couple of hours after appearing on UtR (yes, that's the sound of us patting our backs).

Hope you enjoy the show...

Play: Podcast #3








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Running order:
00:55: The Seventeenth Century - Roses in the Park
06:22: Beerjacket - Dancing in the Dark
10:15: Popolo - Or Optimism
13:45: Interview: White Heath
17:20: White Heath - Election Day
21:30: Trapped in Kansas - Carpathia
24:53: My Tiny Robots - Other People Matter
30:01: Randan Discotheque - Daily Record May 18th 1993
35:10: Small Town Boredom - White Cart Water

Words and podcast: Nick Mitchell, Stevie Kearney

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Friday, 14 August 2009

This week we have been mostly listening to...

BeerjacketYou can't accuse us of being narrow in our tastes here at UtR. The first of our 'office stereo' blogs takes in a Springsteen cover, noisy post-rock, sweet girl-pop and star-gazing indie.

We may have our private little disagreements over which music to showcase, but this feature is an anything-goes platform where we'll all be talking individually about our favourite bands, must-hear tracks and guilty pleasures.

The question is, are you old enough to get the Fast Show reference in the headline? (Clue)


Beerjacket
'Dancing in the Dark'








MySpace / UtR profile

Having featured Beerjacket in an On The Radar article a few months back, I've kept an ear out for him ever since. It turns out Rolling Stone were rather excited about this track of his, which certainly got my attention. A Springsteen cover by a Scottish solo artist sounds a potentially hazardous combination, but by keeping it simple and letting the quality of the song shine through, Mr Beerjacket has created something wonderfully infectious.

Stevie Kearney


What The Blood Revealed
'The Corporation As We Know It Is Dead, Dead, Dead
'







MySpace

What The Blood RevealedDespite loving the band, I wasn't entirely convinced that What The Blood Revealed were the 'post-metal' act they labelled themselves. Post-rock with a bit of noise, maybe. Then I heard this riff-laden beast of a track.

It's got that slow lead up to a massive crescendo thing going on but with thumping bass and crashing drums and this monster guitar riff that just builds and builds. It's more Red Sparrowes or recent Pelican than Isis but that's no bad thing. Who knows, given time we might just see WTBR pop up on Southern Lord themselves.

Jodi Mullen


Pearl and the Puppets
'Because I Do'








MySpace

Pearl and the PuppetsThere's something alluring about a singing voice that sounds like Jodie Foster's accent - and all week I've found myself humming and bopping along on the subway to this catchy upbeat yet chilled out tune. The innocent sound of Pearl’s voice combined with the sweet yet meaningful lyrics make this my tune of the week, and I can’t stop myself from pressing the repeat button.

Clare Sinclair


Cancel the Astronauts
'Love Somebody'








MySpace / UtR profile

Cancel the AstronautsWith noggin pounding and fingers twitching, my over-worked aches have this week been soothed by the sound of Cancel the Astronauts’ massaging jangles. Already regulars on our blog, the Edinburgh quartet effortlessly fashion out a soar-away pop opulence reminiscent of Gold Mother-era James. My chosen track, the synth riddled ‘Love Somebody’, finds the quartet at their most dextrous; initially passing off as a hand-holding melee of strum and percussion, this ebullient sheen soon fades away for a tragic tale of heartbroken rejection. Quite simply, magnificent.

Billy Hamilton


There Will Be Fireworks
'We Were A Roman Candle'








MySpace / UtR Profile

There Will Be FireworksProving that an appearance on STV's The Hour show need not spell career suicide, There Will Be Fireworks singer Nicky McManus told me after a recent gig that the band will soon be starting work on their second album. Personally I'm still not tiring of the self-titled debut, and just this morning their impassioned tones greatly improved my weary, rain-drenched walk to work. This song epitomises their boundless ambition, ranging from breathy atmospherics to cacophonous screaming.

Nick Mitchell

What have you been listening to this week? Tell us below...

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Friday, 26 June 2009

On the radar: Beerjacket

Beerjacket
[Beerjacket photographed by Lisa-Marie Ferla]

Play: Drum


Becoming a singer/songwriter, on the face of it, seems easy. Get a guitar, learn a few minor chords, let some feelings out.

However, once you have seen it done well, you realise how much talent is actually required. There is no hiding place when you do everything on your own, and there are few in Scotland right now who do it better than Peter Kelly.

Beerjacket, the name of Kelly’s homemade solo project, very nearly disappeared soon after it began. It started in 2004 “as a goodbye to music...a bitter farewell show”, after which he planned to stop for good. Thankfully, enough people liked the show to keep the project alive and, five years on, Beerjacket is still going.

Although he plays most of his live shows in Glasgow, Kelly says he can’t claim to be a Glasgow musician as he doesn’t spend much time there. Instead, “Beerjacket happens alone in a toy room in Lanarkshire,” he says.

His most recent album, Animosity, is a return to simplicity after Kelly felt previous work had become overcomplicated. The songs have the classic singer/songwriter appeal: simultaneously sad and uplifting. ‘Violent’ and ‘Drum’ perfectly sum up the honest tone of the album, whilst ‘The Gun’ is moralistic without any accompanying righteousness.

The album attains considerable diversity in its ten tracks too, especially on ‘Evil Air’, which adds colourful bluesy edges thanks to some neat slide guitar work.

The stripped-down, back to basics approach is certainly noticeable; Kelly describes his set-up as “one the most primitive you’re likely to find – acoustic guitar, vocal and foot-stomped tambourine”. The one-to-one feel of this minimal intervention policy gives his lyrics more immediacy.

There is also something hugely appealing about an artist who has decided to go it alone. As Kelly says, “I have opened for many of my heroes like Feist, The National, Kristin Hersh, Rilo Kiley and Arab Strap, released six albums and received airplay all over the world. And all this without a manager, PR, publisher, record label, agent or other band members to thank or blame.”

Kelly is also keen to praise those he has worked with: “I’ve been fortunate in playing with many of my influences. They have all inspired me”. The Second Hand Marching Band opened a show for him recently and also played along on a Beerjacket cover, which pleased Kelly to the extent that he forgot the words to his own song.

If comparisons are to be made, then the most obvious, in terms of style, seems to be Elliott Smith. But the tagline of ‘the new Elliott Smith’ has weighed heavily, usually unhelpfully, on many artists before. Kelly’s work stands alone perfectly well.

In a cluttered genre, Beerjacket has emerged as one of Scotland’s best singer/songwriters. Going it alone is a brave decision, but his work demands recognition. Wherever he goes next, it is sure to be well worth following.

The new Beerjacket album Animosity was released digitally on 8th June on iTunes, eMusic, LaLa and Amazon MP3. A limited edition digipack CD of the album will be in independent record shops soon.

Play: Violent


Words: Stevie Kearney

What do you think of one of Scotland's best new singer/songwriters? Discuss...

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